Jumping Arena Overview - Iconic landscape on the Alpes by Cervino

#jumpinghorses #arena #equestrian
Simona Cochi's covering some world-famous horses event that resulted in a priceless collection of iconic videos and conversations with Italian equestrian champions and leading personas.
Made in Italy horse's style is a must to see. Amazing fashion and lifestyle stage to be shot in different frames.
Equestrian sports, particularly jumping events, are playing a key role in the Ippodrome world's new "vision," which calls for the construction of a true "centre" for equestrian events and high-profile competitions held in the most iconic territories of Italy.
In this playlist Simona Cochi wanted also to experience the complex but charming life in the stables and in the surrounding environment. This storytelling is to "paint" with her camera the daily exciting moment of a horse's owners and riders.
The expression on a horse's face always reveals whether it is loved or merely utilized by its owner. When you approach a horse, whether it raises its head in a friendly manner and looks peacefully at you, or stands facing the corner of the box with its head hanging apathetically, says everything. I'd even go so far as to suggest that horses who are truly loved and respected live longer and are healthier.
You will not acquire anything in riding without meticulous repetition of individual learning steps and constant praise. Because a single outburst of irritation and out-of-control behavior can sever or entirely wreck your relationship with your horse in the long run.
Love for horses is the most important emotion that drives lot's of people to become riders. It should be the only emotion that drives us to work with horses and seek for happiness in the saddle, in perfect harmony with them. You will never be a good rider unless you have this profound feeling, which you should have with every horse.
Horses passion and equestrian tourism are increasing their income numbers and seducing more audiences everyday.

"The Italian Way" Youtube Channel (My Camera .....my Paintbrush) is an iconic video magazine created by Simona Cochi, an Italian journalist and pr based in Milan.
Simona unveils the exclusive features of the most relevant events about Art, Lifestyle, Design, Fashion, and more. Art interviews are one of the keys to be seduced by "The Italian Way" project.
The creative gesture of "direct capture" (the camera like a brush) blends different and transversal elements and draws on the visual heritage, the digital, the sound in a field with still unexplored possibilities but which has the characteristics of a 21st-century Surrealism.
This editorial project has been conceived on Simona return after a year and a half of work and research in different European capital cities and iconic outposts.
Simona Cochi can claim international working experiences and an academic track record.
2017 - Simona Cochi starts her digital video magazine to adapt communication and journalism techniques to the new challenge of the 2.0 era.
In 2018, during her experience as a video blogger in Vienna's museums, her definitive inspiration for surrealism was ignited through the work on the Man Ray's show at the Kunstforum. Further creativity and motivation have been enhanced thanks to the researches on Sigmund Freud, the other eminent Austrian's figure with significative traces of his life and works in Vienna.
The video journey started as "The Austrian Way" inside the magnificent art shows in the capital city: Monet, Picasso, Gustav Klimt, Keith Hearing, Florentina Pakosta, and more.
The digital producer's aim is to "paint" the path of the art exhibitions with her camera, revealing an unprecedented vision, delivering new interpretative nuances of daily reality.
The images and comments of the Italian journalist are expressed to describe the emotions of art but also to portray the magnificent outposts of culture. Simona Cochi's footages are often accompanied by iconic interviews from the event's protagonist.
The beauty of a work resides in its visionary strength, in its celebratory capacity, in the alienating effect it arouses and this is what the spontaneity of the author often manages to convey.
The creative gesture of "direct capture" (the camera like a brush) blends different and transversal elements and draws on the visual heritage, the digital, the sound in a field with still unexplored possibilities but which has the characteristics of a 21st-century Surrealism.